Ranger Painting
Exterior Paint Colors
Ranger Painting Guide

Exterior Paint Colors

5.0 from 31+ Google Reviews

Exterior paint colors behave differently in Central Texas light than on a color card. Here is how to choose one you will still like in year four.

No Deposit
BBB A+ Accredited
5.0 Google (31 reviews)
$25k Good Contractor List Guarantee
Fully insured
01 / 08

How do you choose exterior paint colors?

Start from what you cannot change — the roof, the brick or stone, and the window frames — and choose a body color that agrees with them. Add a trim color with clear contrast, then one accent for the front door.
Test large samples on at least two elevations and look at them morning and late afternoon. Mid-tones hold their color longest here, and deep colors on a west wall fade soonest.
How do you choose exterior paint colors?
Choose around the things you are not painting
Choose around the things you are not painting
02 / 08

Choose around the things you are not painting

Almost every exterior color decision that goes wrong went wrong at this step. A homeowner picks a body color they love in isolation, and it then has to live next to a roof, a stone base and a set of window frames that were never consulted.
Walk out to the street and list what is staying. On most homes here that means the roof, any brick or stone, the window frames, the garage door if it is not being painted, and any hardscape or paving close to the house.
Those elements set the temperature of the whole composition, and your paint has to agree with them rather than compete.
Roofs are the most commonly ignored constraint. A brown or weathered roof pulls a house warm, and a cool gray body underneath it will read as slightly wrong without anyone being able to say why. A charcoal or slate roof does the opposite and gives cooler colors room to work.
Masonry sets the undertone. Central Texas limestone runs warm — cream, buff, faintly gold. Brick can run anywhere from orange-red to soft brown.
Hold your candidate against the actual stone on your house rather than against a photograph, because undertone is the thing that decides whether the pairing looks intentional.
If the fixed elements pull warm, a body color with a warm undertone will settle in beside them. Fight that and the house reads as two decisions rather than one.
03 / 08

Body, trim and one accent

Nearly every exterior that looks considered uses three colors, and it is a reliable structure to work within.
The body is the largest surface — the siding, the stucco, the field of the house. This is the color people mean when they describe your home, and it is where restraint pays. A bold decision costs less and lands harder on the front door.
The trim is the fascia, soffits, window and door casings, columns and porch details. Its job is to draw the shape of the house.
Contrast is what makes trim work: too close to the body and the architecture goes flat, clearly separated and the house gains definition.
Off-white and soft white trim remain the most reliable choice on the majority of homes, and a warm white against warm stone is more comfortable than a stark white.
The accent is the front door, and occasionally shutters. One accent, used once. This is where a deeper blue, a forest green or something genuinely saturated belongs — a contained area, high impact, and inexpensive to change your mind about later.
Where the structure usually breaks down is a garage door treated as an accent. It is a large, flat plane and it is generally best kept close to the body so it recedes. Doors that shout tend to make the garage the subject of the house.
Body, trim and one accent
Our light is brighter than the color card assumes
Our light is brighter than the color card assumes
04 / 08

Our light is brighter than the color card assumes

This is the part that catches people out, and it is the reason a color that looked right in the store looks washed out on the wall.
Strong sun lightens everything. Central Texas light is intense and high-contrast, and it lifts a color visibly. A shade chosen at its exact value on a card frequently arrives two steps lighter on a sunlit elevation.
Choosing very slightly deeper than feels comfortable indoors is the standard correction.
Depth costs longevity. Deep colors absorb more ultraviolet light and give up their color sooner, and a west-facing wall takes direct afternoon sun for hours.
Two walls of the same house, painted the same day with the same product, will not age at the same rate.
Mid-tones are the most forgiving choice on a fully exposed house — which is not an argument against a deep color, only an argument for choosing one knowing what it asks of you.
Shade changes the question entirely. Under a mature canopy the color holds far longer, and cooler shades that would look cold on an open lot can be lovely. Homes under heavy oak have the freedom to go darker than their neighbors on cleared ground.
Very white can be uncomfortable. A bright white body on an unshaded elevation produces real glare in summer. Cream, greige and soft warm neutrals give the same brightness without the hard edge.
05 / 08

Families that suit this region

Not a prescription — houses differ — but these are the families that consistently sit well in Hill Country and Central Texas settings.
Warm neutrals — greige, mushroom, soft taupe, stone. The most reliable body colors in the region, because they agree with limestone, they handle strong light, and they do not date. If you want one recommendation to start from, start here.
Soft gray with a warm undertone. True cool gray can fight warm stone, but a gray carrying a little warmth sits comfortably beside it and looks current without looking of-the-moment.
Muted green. Sage, olive and other grayed greens are quietly excellent here, particularly on homes among live oaks, because the color already exists in the landscape. Green reads as deliberate on a Hill Country exterior in a way it does not everywhere.
Deeper blue, used carefully. A slate or navy blue is a strong front-door color and a handsome body color on a shaded house. On a fully exposed west elevation, expect to see it fade sooner than a mid-tone would.
Warm white and cream for trim, and for the body of cottages and historic homes where a lighter field suits the architecture.
Black and near-black on window frames, shutters and doors is a contained, high-impact move that suits both modern and traditional homes. As a body color on a sun-exposed elevation it is the most demanding choice available.
Families that suit this region
Test before you commit — this step is not optional
Test before you commit — this step is not optional
06 / 08

Test before you commit — this step is not optional

The single highest-value hour in this whole process is spent testing, and almost nobody does it thoroughly enough.
Sample large, not tiny. A two-inch chip tells you very little. Paint boards at least two feet square, or a generous patch directly on the house, and put the candidate next to the trim color you are considering rather than alone.
Test on more than one elevation. Put the same sample on a north wall and a west wall. They will not look like the same color, and that difference is precisely the information you need.
Look at it three times. Morning light, midday and late afternoon. Late afternoon is the most important because it is when the house is most often seen and when the western sun is strongest.
Look from the street. Exterior color is experienced at distance, not from three feet away. Walk to the curb, then look again from wherever you approach the house.
Leave it up for a few days. Live with it. First reactions to color are unreliable, and a sample that still looks right on day four is a sample you can commit to.
07 / 08

Working within an approved palette

A large share of neighborhoods across Round Rock, Leander, Cedar Park and Georgetown operate under an HOA with an approved exterior palette and a submission process before painting.
Start the approval before you schedule anything. Sign-off commonly runs to several weeks, and discovering that requirement after booking a crew is the most common avoidable delay in this market. The approval date, not the contractor's calendar, is usually the real constraint.
Approved is less limiting than it sounds. Most palettes are broader than homeowners assume, and there is nearly always room to move within the approved family — a warmer body, a different trim relationship, a bolder door. Where an association fixes the body color, the accent is generally where the latitude lives.
It is also worth glancing at what sits either side of you. Not to match — a street of identical houses is nobody's goal — but to avoid landing on precisely the same body color as the house next door.
Working within an approved palette
Where to go from here
Where to go from here
08 / 08

Where to go from here

Color is only half of an exterior decision.
The other half is what the paint is asked to do: whether the product is genuinely sun-rated, and — if any part of your home is brick, stone or stucco — whether the coating lets the masonry breathe, because sealing it traps moisture in the wall.
That belongs on your estimate by name, and what a complete one contains is set out in what should be in a painting estimate.
For interior decisions, the companion question is finish rather than color, and that is covered in the paint sheen guide.
Ranger Painting will walk your house, put the colors you choose on the estimate by name alongside the preparation and the products, and take no deposit — payment comes after the final walk-through.
More painting articles
FREE ESTIMATE

Get a free, no-deposit estimate

Ready for your home? Ranger's estimate is free and in writing, carries zero deposit and no obligation, and payment comes only after you approve the finished work. Call (512) 537-7000 or request yours online.

Call (512) 537-7000

No deposit - pay only after you approve the finished work

Written scope before any work starts

5-year written workmanship warranty

$25,000 Good Contractors List guarantee

5.0 stars across 31+ Google reviews

BBB A+ accredited, Fully insured

Call Now